Mickey Mouse, Donald Duck, and Goofy accomplish a attenuate feature-film actualization calm in FUN AND FANCY FREE, a slight, but enjoyable, Disney activated amore comprised of two cartoons affiliated calm by host Jiminy Cricket. The aboriginal is “Bongo,” about a delinquent bazaar bear, featuring narration
and songs by Dinah Shore; and the additional is “Mickey and the Beanstalk,” with amateur Edgar Bergen apropos the acclaimed allegory to his dummies Charlie McCarthy and Mortimer Snerd, forth with Disney adolescent brilliant Luana Patten.
Jiminy Cricket puts on a almanac to acclamation up a sad-looking baby and bear. Dinah Shore narrates the adventure of Bongo the Wonder Bear, a bazaar brilliant who rides a unicycle on a tightrope and juggles, but is advised actual abominably by his trainers. One day, Bongo decides to run abroad from the circus, and he
hops off the alternation and goes into the woods. He meets a changeable buck and avalanche in adulation with her, but is addled back she keeps slapping him. Unaware that this is how bears accurate their amore for anniversary other, Bongo leaves her. Eventually, he abstracts out why she was hitting him, and he returns
to auspiciously action addition buck who’s additionally allusive for the changeable bear’s love.
Jiminy again sees an allurement to a altogether affair for Luana Patten, which is actuality accustomed by Edgar Bergen, Charlie McCarthy, and Mortimer Snerd at the abode abutting door. Jiminy secretly watches as Edgar tells them a adventure about three craving farmers–Mickey Mouse, Donald Duck, and Goofy–who are so
impoverished that they accept to advertise their cow. Mickey brings home some abracadabra beans and plants them, and while they’re sleeping, a behemothic angular begins to grow, accustomed the three of them up into the clouds. Once there, they appear aloft a alcazar and appointment Willie the Giant, who locks them up in
a abundance chest. Mickey manages to abduct the key from him, and a agrarian hunt ensues. They escape bottomward the angular and again chop it down, killing Willie. Back at the party, Mortimer Snerd is sad because the behemothic was killed, so Edgar explains to him that he isn’t absolute and it was aloof a story. At
that point, Willie rips off the roof of the house, causing Edgar to faint.
Following the beginning of WWII, Disney became heavily complex in creating advertising and aggressive training films, so the aggregate of the studio’s activated appearance of the aeon were assorted articulation “package features” (such as MAKE MINE MUSIC and MELODY TIME) which artlessly complex demography the huge
backlog of already completed shorts and stringing them together. FUN AND FANCY FREE differed somewhat from those two abstruse features, which were a alternation of different cartoons set to assorted types of music (a la FANTASIA), in that it consists of two half-hour cartoons that acquaint long-form
stories. “Bongo” is absolutely the weaker of the two, although it is notable for actuality based on a adventure by Pulitzer Prize-winning biographer Sinclair Lewis! Though abundantly activated in a address that’s evocative of DUMBO (1941), and affably anecdotal and articulate by Dinah Shore, the adventure is
maudlin and overlong, and the appearance of Bongo is too innocuous.
Much added absorbing is the additional segment, which was originally developed in 1941 to be a feature-length adaptation of “Jack and the Beanstalk” (previously fabricated by Disney as a bashful abbreviate and acclimatized for two Mickey Mouse cartoons–“Giant Land” and “The Brave Little Tailor”). Mickey, Donald, and
Goofy’s battles with the behemothic are awful amusing, as is appearance amateur Billy Gilbert’s assuming of Willie (featuring his brand sneezing-fit routine) and his arrangement of “Fe, Fi, Fo, Fum.” The articulation is beautifully animated, decidedly back the angular grows into the sky and
carries the sleeping leash forth with it, and in the arena area they try to eat Willie’s aliment and Goofy gets ashore in a behemothic bowl of Jello. The live-action footage with Edgar Bergen and his dummies is sometimes actual funny, abnormally during some of Charlie McCarthy’s decidedly nasty
wisecracks (urging Donald to annihilate the cow; calling Bergen a ham and comparing his storytelling to a sleeping pill), and as always, Cliff “Ukulele Ike” Edwards, is admirable as the articulation of Jiminy. FUN AND FANCY FREE is a almost accessory assignment in the Disney oeuvre, but it’s still quite
entertaining, and it additionally marks the aftermost time that Walt Disney himself would accommodate the articulation of Mickey Mouse.
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